Page 50 - SST Class 07
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                                       A Journey Towards


                                       Cultural Assimilation




             Sultanate era marked the evolution and develop-        in Mehrauli of New Delhi. Here, some 27 Hindu
             ment of a new-type of Hindu-Muslim architecture        and Jain temples built previously during Tomars
             in  which  decorative  exuberance  of  the  Hindu      and  Chauhans  were  destroyed.  Using  the  same
             architecture  was  toned  down  and  its  place  was   material in haste, the new mosques and minars
             taken by new elements such as use of geometri-         were built. Due to hasty process of their making,
             cal  shapes,  calligraphy,  inscriptional  art,  etc.   the structural techniques of archs and dome were
             However, the elements of Hindu architecture still      not used. Many of these building collapsed later
             formed the basis of new architectural style. This      but, few of them are standing there even to this
             was mainly because of three reasons. Firstly, the      date.  The  important  monuments  in  Qutub
             Muslim  rulers  had  to  employ  Indian  architects    Complex are as follows :
             and masons; secondly, early mosques were built         Alai Darwaza
             by demolition of temples and the Muslim rulers
                                                                    Mamluk  Dynasty  did  not  employ  true  Islamic
             used  the  same  material  of  Hindu  temples  in      architecture styles and used false domes and false
             making their mosques and tombs. Thirdly, rather        arches.  The  first  example  of  the  true  arch  and
             than building new monuments from scratch, the          true  dome  is  in  Alai  Darwaja  located  in  Qutub
             early Muslim rulers resorted to convert the Hindu      Complex.  It  was  built  by  Ala-ud-Din  Khilji  in
             and  Jain  temples  into  mosques  by  making  few     1311 AD.
             alternations here and there.
             From Delhi Sultanate era, we see the beginning
             of use of the false arch and false domes (such as
             Quwwat-ul-Islam  Mosque)  to  true  arch  and
             domes (begins from Alai Darwaja) and reached
             its  mature  phase  as  Indo-Islamic  art  in  the
             Mughal era.
             While  numerous  square-plan  mausoleums  were
             built  in  Delhi,  the  new  form  of  octagonal  plan
             with  a  surrounding  colonnade  was  developed
             from  the  last  stage  of  the  Sayyid  through  the                     Alai Darwaza
             Lodi  rule.  This  is  the  best  represented  by      Qutub Minar
             Muhammad  Shah’s  Tomb  (1443)  and  Sikandar
                                                                    The  minar  is  originally  inspired  by  the  Afghan
             Lodi’s Tomb (1517/8) in Lodi Gardens.
                                                                    architecture. It was to be built as a Victory Tower,
                       BUILDING MONUMENTS
                                                                    to  commemorate  the  victory  of  Muhammad
             The  starting  point  for  the  development  of  the
                                                                    Ghori.  Its  construction,  as  we  all  know,  was
             Delhi Sultanate architecture was Qutub Complex
                                                                    started  by  Qutub-ud-Din  and  was  finished  by

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